Art Show in ECH

There is an Art Exhibition going on at East Campus Hall in UW right now. It’ll last until Tuesday, March 24. One of my pieces is being displayed in the front gallery inside the building. There are paintings, mixed media, photographs, pencil sketches, etc.

My artwork is essentially a self-portrait. I used a series of still life prints to construct a timeline in my life. This is a painful yet rewarding project for me personally because I’m laying out the complications of my family. More specifically the timeline shows when certain people left my life and how they reentered again. By laying it out in the public, I’m trying to ask questions to my viewer: were their decisions that they made for me correct? Their decisions definitely shaped me for who I am today. They made me strong, mature, and responsible. But I was left with a messy and hollow childhood.

Just some background information:
After my birth in 1987 in Beijing, my dad soon left my mom and I to pursue his education in New York University. As a result I don’t have much memories with him in my childhood. My mom raised me up until the age of 3, then my parents divorced and I was being sent to full time daycare. I’d live there during weekdays and my mom would come and pick me up during weekends. From age 6 to 10, I lived with my grandparents on my dad’s side and they became the most important people to me. During that time my mom would visit during weekends and I rarely see my dad (and my stepmom). At age 10, my stepmom wished to immigrate to Canada and my dad made me to tag along with them. I was told that this is a vacation. (But it wasn’t.) I soon adapted to the environment and people around me, but then at age 14 they wanted to go back to Beijing along with their son, my half brother. I was left with no choice but to move to Toronto for where my mom settled. (Soon after I left Beijing, she immigrated to Toronto. Married, then divorced to someone I’ve never seen. She still hasn’t told me a word about that person even till now.)

Needless to say how big of an impact these things could’ve left on me. I have a blurry definition of what a family is as a result. I learned to grab onto any relationship that I can maintain to survive during these drifting years. I accept the fact that people in my life can’t protect me and won’t live with me until I’m strong enough to move out. Being forced to grow up was not easy, especially by those who I trusted so much.

We can’t say because everything worked out in the end, so everything that happened during the process have very little values in the end. I couldn’t help but feel resentful. I need to let go of these thoughts and move on. But no matter  how many times I talk to people about these I’d still feel emotional. Just as today I was talking about my piece of work in the class critique, I tried very hard to control the flow of my voice. I tried to keep it steady and tried to not let my emotions fly all over the place.

In my piece, I used a lotus to represent the timeline in the background. It represents my Chinese heritage as well as the Chinese saying: 出淤泥而不染。This Chinese proverb praises lotus because it originates from muddy ponds, yet it grows to be this aesthetically visually pleasing flower making it that much harder to imagine its origin. Lotus is also a very useful plant: its seeds are used in Chinese medicines and its roots make wonderful Chinese dishes. Therefore I chose to use the representation of lotus. The background of the lotus as well as written descriptions are all drawn on the wall itself using charcoal pencil. It creates a poetic and sensitive touch to my artwork.

陈曼。摄影。审美。然后彻底离题

记得我跟Jim曾经有过一次对话,当时讨论得挺乏味的,没什么内容。但刚刚读了一篇采访陈曼文章,写得不错,其中有段陈曼说的话令我想起了自己当时跟Jim坚持的想法,如下:

对陈曼而言,在镜头前没有不好的模特,只有不合格的摄影师。“模特都有他自己的特点,如果你把他的特点发挥出来,都是好的模特。”而说到超模,陈曼又有另 一番观点,“不是普通意义上的美丽就能成为超模,有好多因素。比如说她可能哪儿哪儿都长得特别完美,但就有一个缺点。如果这个缺点恰到好处的话就是一个特 点。比如刘丹,在中国大众审美里,她哪里都是完美的,但就是她长了一双丹凤眼,小翘翘鼻子,这样就可以成为超模。如果哪儿都长得没有缺陷的话,就是一大美妞儿,没什么特点不容易让人记住。

对中国模特行业的发展,陈曼感叹:“其实现在选模特的人,或者大众也好,他们欣赏模特的审美太局限了。在生活中有很多女孩子可以成为超模,但因为没有人发现。我希望中国出现更多的国际超模,能带动中国的时尚发展。比如现在杜鹃出去了。大家就会因为杜鹃关注中国的时尚,所以我觉得模特和本土的时尚是有密切、密切的关系的。”

当时跟Jim的对话是从报纸上一张模特儿的照片开始的。那模特儿是个台湾人,名字我已然忘记了,但据说是近两年来知名度被炒得非常高的。Jim说她很漂亮,我在报纸上瞄了一眼,说还行吧。他有点儿不服,问我为什么。我不记得具体回复的是什么,不过想要表达的意思是这样的:“漂亮是漂亮,但是没特点。我看过一眼就会忘记的美人儿对我来说谈不上漂亮。”

在多伦多这个多元化的城市中,无时无刻都可以看到各种肤色外貌的人。无论是在地铁上还是学校里,我这一代的孩子中每个人都有着各自的审美观点。我不认为任何人可以说服他人审美观点的胜败与否,毕竟萝卜青菜各有所爱不是?

对于我来说,一个人的表面脂肪没太大视觉效果。现今大部分的视觉感受来自于人家穿在身上的跟涂在脸上的。更深一步地说,就是人家的气质。艺术照在我的眼里就跟垃圾是的,根本表现不出来模特儿的性格。有的甚至连基本轮廓都掩盖了,令亲朋好友叹为观止:这谁呀,整个儿塑料一个……好的照片不仅仅要体现出模特的美,我认为更重要的是要呈现人家独特的地方。

每当别人问我某某好看不好看的时候,我都需要站在他人的角度来考虑这个问题。因为凡是我喜欢的朋友在我眼里都有着他们独特的一面,而这独特感超越了平淡的视觉审美。如果我每次都按照自己的喜好来评论,实打实的不会是对方认同的答案。简单的说就是我觉得每个人都有着独特的美感,需要识货的人去欣赏。

我喜欢站在他人的角度去观察,却有时候会懊恼于这角度是如此的狭窄。也许我太在意他人的看法了,这也是我的弱点。很多时候我盲目地说出自己的看法,多次被否决后我开始从他人的审美角度看人,尤其是当我要推荐某人某物给他人时。

想到这里,我不禁纳闷儿,当我们问他人看法时,要听到的究竟是什么样子的话?我已然离题了︿